3.749 file audio bebas royalti untuk "Ibrahim Al Sula And Ahmad Ali"

clave pattern in 5/2

clave pattern in 7/4

6/8 clave, first form (standard pattern)

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Holberg Suite, prelude, bars 1-2, piano version

The musical rhythm known as son clave. My own work, on 2006-01-08, and public domain.

Modulations from C major to C sharp major in natural temperatures (just intonation) end at almost the same pitch although there should be a half-tone difference.

Holberg Suite, Prelude bars 31-4 piano version

The A440 (A above middle C) tone, which is used as a general tuning standard for musical pitch. It is also broadcast by WWV, the radio station of the National Institute of Standards and Technology.

Franck Violin Sonata first movement, bars 1-8

Deutsch's scale illusion. Two complex melodies are played, first separately from separate channels, then simultaneously.

Wohlbekannte Melodie

Debussy, the Snow is Dancing, Bars 34-38

Debussy, from 'General Lavine - eccentric'

Holberg Suite, prelude bars 31-4 string version

Melodie.linear + Melodie.salical gleichzeitig

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Claude LeJeune, Revoici venir du printemps

Rumba Clave Pattern in triple time.

Holberg Suite prelude bars 1-2 string version

*Septimal supermajor seventh on C = C. Just: 35 : 18 = 1151.23 cents. Limit: 7-limit. MIDI pitch bend: 50,80 on M7

*Johnston , difference between 5:3 (A) and 53:32 (A) on C = C. Just: 160/159 = 10.85 cents. Limit: 5-limit. MIDI pitch bend: 60,67

Supermajor sixth on B7b. Created by Hyacinth (talk) 20:20, 19 March 2011 (UTC) using Sibelius 5.

*Pythagorean minor tone on C = D- (Ben Johnston's notation). 10:9 = 182.40 cents. Limit: 5-limit. MIDI pitch bend: 47,58

Subminor third on G. 7:6 = 266.87 cents.

Šur Daramad

Šur Forud

Šur Daramad

Phrase group of three four bar phrases in Mozart's Piano Sonata in F, K. 332, first movement.

Jazz standard bridge, ragtime progression: E7-A7-D7-G7, III7-VI7-II7-V7, or V7/V/V/V - V7/V/V - V7/V - V7 [or V7/vi - V7/ii - V7/V - V7]. MIDI file Progression d'accords : Pont Jazz standard. La progression de ragtime (E7-A7-D7-G7) apparaît souvent dans les ponts des standards de jazz. Fichier midi.

Šur Forud

Šur Forud

Šur Forud

Scale of the fingering chart for the tabor pipe.

The opening bars of Dido's lament from the opera "Dido and Aeneas" by Henry Purcell.

Pythagorean diminished third on C. 65536 : 59049 180.45 cents.

Šur Daramad

Battements et son résultant (deux embouchures de flûtes à bec)

Beethoven, Diabelli Variation No. 13

Rebel, les Elemens, opening

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Theme by Anton Diabelli

Just Intonation Major Chord (4:5:6)

Period (two phrases) in Haydn's Feldpartita.

*Unison on C = C. Just: 1:1 = 0 cents. Equal-tempered: 20/12:1 = 0 cents. Limit: 3-limit.

Ejemplo de batimiento (acústica). Frecuencias: 440 Hz y 339 Hz.Example of beating (acoustic). Frequencies: 440 Hz and 339 HzNederlands: Voorbeeld van zweving (akoestiek). Frequencies: 440 Hz en 339 Hz

09. TRG Banks - Conference

Transition in Mozart's Sonata in C Major, K. 309, I, measures 21-32.

Dido's Lament ground bass, m. 1-6. See: File:Dido's_Lament_ground_bass.png

Recapitulation transition in Mozart's Sonata in C Major, K. 309, I, measures 116-126.